First-time Kindle User Embraces Change

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I love real books. In my 20s I started to collect contemporary signed first editions and early editions of classics. Books are to graphic designers as buildings are to architects. They are among the few projects a designer can create that has a good chance of outliving them.

The tactile nature of a real book—the paper, the smell, and the graphic design—dust jackets, fonts, format, margins, page numbering system—all contribute to why real books rock!

At home and work we have tablets and computers that are great for consuming online content, but not great for reading long-narrative content. My iPhone and Samsung Galaxy Note 4 (starting at $299 via Verizon), have apps that allow me to read books on them and they work pretty well. So while I’ve checked out Kindles belonging to friends and family members, I’ve never seen the value of owning one.

Until now!

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Kindle Fire HD – Kids Edition (super-durable case not shown)

Thanks to a great event, #TNTSeattle, sponsored by Techlicious and The Traveling Mom, I became the happy owner of an Amazon Kindle Fire HD!

Mine is the Kids Edition, so it comes with a super sturdy case and 1-year subscription to Freetime. Freetime features a ton of fun content to entertain kids.

There are plenty of books, episodic programs, movies and games to enjoy. The kids edition also includes the ability to restrict content and access, so it means parents can help ensure an appropriate experience for their children.

I’m using the Kindle as an e-reader and tablet, and have to say it’s really quite cool.

Charging the Kindle took about 4 hours. It was simple to set up and easy to add email accounts, my Amazon account, and download some apps.

I own a limited slipcased edition of The Goldfinch, and hadn’t yet read it because I didn’t have a “reader copy.” So I just downloaded an electronic version for the Kindle and have started to read.

So far, the experience has been great. Having recently finished reading a 925-page, hardbound edition of 1Q84 by Haruki Murakami, in comparison, the Kindle is as light as a feather.

A few criticisms: I wish the brightness automatically adjusted to the ambient light; and when hitting the home button, it would be great if the “carousel,” showed the recently used apps and content in a continuous loop. Also, the camera is not the greatest, but if you stop to think about it, do you really need your e-reader to take good photos?

In terms of a good reading device and mini-tablet for an adult to share with a child, the Kindle Fire HD looks to be a great choice.

I’ve noticed commercials recently promoting the Kindle Fire HD starting at $99. Pretty hard to beat that!

Photo of Alki Surf Shop wall, shot with the Kindle Fire HD

Alki Surf Shop wall, shot with the Kindle Fire HD

Alki Surf Shop wall shot with the Samsung Galaxy Note 4

Alki Surf Shop wall shot with the Samsung Galaxy Note 4

Inexpensively Add Photos to Your Web Site

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Fall and winter weather has arrived in Seattle, and we’re embracing the change in seasons at Alki Surf Shop. Beach mats, towels and suntan lotion have been replaced by cool weather essentials and great gifts for fun and for the home.

Hand warmers for texting, scarves, hats, umbrellas and gift items that relate to the beach have been added to our inventory.

To showcase new offerings, we needed to create a new Gifts & Accessories section on our web site. But we couldn’t do so until we shot photos and wrote descriptions of our new products.

Light, Focus, Shoot

To expand our web site for next-to-nothing, we have been using the Nokia Lumia Icon, a tripod and device adaptor, plus a shop light and reflectors to shoot photos of our goods.

The product shots are done on the fly. When we have a few moments, we grab an item, set it up and shoot it in our back room. We’re working in a tiny space (about 3’ x 3’), stacking a couple of large cardboard boxes to create a work surface, and using some seamless paper for a background. We bounce light off the walls and ceiling, trying to eliminate glare where we can.

It’s not a sophisticated set up, but the Nokia Lumia Icon has such a good camera, it captures details that read well on the web. The end result: photos that can give our customers a pretty good idea of what we have for sale.

Converting Photos for Web

The Icon’s impressive pixel depth can be overkill for the web. If you upload a 20 megapixel image at 300 dots per inch (DPI) it will really slow down the loading of your web page.

So we take the photos into Photoshop, tweak the colors so they come close to representing the actual products, then down sample before adding to our web site.

We are using the Adobe Creative Suite CS6, which is no longer for sale. Adobe currently offers a $10/month Photoshop subscription on the Creative Cloud, and there are probably free applications out there that will do the same things, but we don’t use them.

Downsampling in Photoshop

  • Open the high-res file.
  • Adjust color, contrast, balance. Often I’ll start with adjusting levels and curves. Retouching can be at this point, too.
  • Save with a name so you can find it, in the high-resolution size in case you might want to use it for print later.
  • Crop the image (In our case, square or rectangles depending on the item)
  • Check and adjust the resolution and size for the web. Many people post at the exact size at 72 DPI, but we post images that are fairly large (up to 7” square at 72 DPI) so our customers can click on the image for a good sized view.
  • Save the file.
  • (NOTE) It’s good to keep copies all of your photos in the same file folder!

They’re ready to upload!

Functionality at a Great Price

© Terri Nakamura_Nokia_Lumia_Icon_IMG_20140313_142022210Currently we use the Icon only as a camera and sound/music ‘brain” for the store.

I just Googled it, and see it’s currently $99 (with a new Verizon contract) through the Microsoft store. I don’t know the Nokia’s price was when newly released, but I suspect it was much higher. Because of its great camera, it has become my go-to tool for any shot where I need clarity and quality.

Alki Surf Shop has a number of one-of-a-kind items that won’t make it onto the web site, but for products where we have back-up inventory in stock, we are shooting images and trying to add a few day by day. The Icon enables us to be nimble about quickly uploading new offerings.

Below you will see a few of the images we’ve added to www.alkisurfshop.com, and links to the accessories. I hope you’ll browse the site, and if you happen to order something, leave a shout on your order and I’ll be sure to send a personal thank you note with your order.

Mahalo!

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The Original Wine Charms “Tropical Paradise” and other styles available

Be Brave, Make Waves! Kinetic Sculpture

Be Brave, Make Waves! Small Nautical Kinetic Sculpture (4 styles available)

Tiki Mask

Tiki Mask (alternate Tiki Sculpture also available!)

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Weathered, miniature Adirondack chair ornaments, $6.50 each

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Elegant Chateau wine box with nautical map; solid wood neck cradle inside

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La Mer Seashell Soap Gift Box

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Black freshwater pearls bracelet

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Journals from Bali

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Colonial Lantern

Alki Slide 1

SAVE ON SHIPPING! COME INTO THE STORE AND SHOP! 2622 Alki Avenue SW, Seattle 98116 • 206-403-1901

A Lime-green Burst of Music and Talk

Charles Horsfall photo by Sheela Santos

Charles Horsfall, photo by Sheela Santos

I’m not a workout fanatic, but I like to walk, so the Plantronics Backbeat Fit wasn’t subjected to the same kind of abuse as someone who does an extreme cardio workout.

That being said, the headphones are easy to set up. For me, it took five minutes or less, including the installation of the Backbeat Fit app.

The first thing I did was try playing a song with the music app, and  I was happy to find the sound quality was crystal clear. I’m not a headphone expert, but already I am thinking this is a great upgrade, and my standard-issued Apple headphones will be buried in my bag for back-up.

There are features for controlling the music with the headphones. Music can be paused and the volume can be adjusted. Unfortunately there is no track skipping functionality. Maybe this is something that can be added in the future.

Plantronics headset photo by Terri Nakamura

Plantronics Backbeat Fit headset, photo by Terri Nakamura

There is a non-adjustable band that wraps around the back of your head and I found it to be comfortable. I didn’t try the arm band, but suspect the same care was taken to ensure comfort and usability.

Making phone calls with the Plantronics Backbeat Fit headphones works the way you’d expect. There’s a single button for answering and hanging up. The play/pause button is used to mute a call, and you are notified by a sound when it is on or off. (The button is located on the left headphone, call button on the right).

Holding the call button also allows you to use voice commands, but it isn’t the greatest—at least on the iPhone 5S. I think it has more to do with Siri than anything than any shortcomings of the headphones.

I’m getting some nice feedback from friends, but most of all, it’s great trying out this new gadget.

Plantronics Backbeat Fit photo by Terri Nakamura

Plantronics Backbeat Fit, photo by Terri Nakamura

Guest post by Charles Horsfall, freelance writer

Edited by Terri Nakamura

Photos by Terri Nakamura and Sheela Santos, taken with a Nokia Lumia Icon provided by Verizon Wireless #vzwbuzz

Alki Surf Shop: The Store Verizon Helped Build

A mini Statue of Liberty near the birthplace of Seattle

A mini Statue of Liberty near the birthplace of Seattle

Many people think of Verizon simply as a telecommunications company. But it’s much more. Because of its unique lens on its customer’s needs, it enables people to create, build, communicate and connect in ways you might not imagine.

After months of planning and renovation, in July we opened the legendary Alki Surf Shop in Seattle, home of original Alki-branded clothing and accessories.

Alki Surf Shop is a dream come true for both my husband and me. We’ve created a unique, fun and inviting experience in the Alki Beach neighborhood of West Seattle.

Beside the great “Genuine Alki”-branded clothing we’ve designed and produced locally, we identified and filled a need: There wasn’t a resource on the beach that offered essential things like towels, mats, sunscreen and other “oops, we forgot” items.  And we realized there isn’t a central source providing information on local businesses and services, so we started a bulletin board featuring business cards, menus and schedules to help support our neighbors, while at the same time helping visitors to the beach..

Tees, tanks and hoodies with the Alki Genuine brand.

Tees, tanks and hoodies with the Alki Genuine brand.

Colorful beach towels, sunscreen, sunglasses, beach mats, flip flops and more are available to beach visitors.

Colorful beach towels, sunscreen, sunglasses, beach mats, flip flops and more are available to beach visitors.

Also, there wasn’t a place on the beach that focused on Alki souvenirs, which is crazy since Alki is a “must see” destination in Seattle. People frequently tell us it feels more like southern California or Hawaii than a metropolitan city. In addition to the wonderful people we’ve met in our neighborhood, just this past week we had visitors from France, Germany, Finland, Denmark, Japan, Hong Kong, Canada, Mexico, The Dominican Republic, and states from all across the country.

Our first visitors from Germany and Arkansas

Our first visitors from Germany and Arkansas

Alki Surf Shop offers a clean, beautiful and inviting shopping experience with a friendly “island vibe.” We receive a lot of great comments in our guest book, and love the suggestions we receive from customers who help guide us as we add new products to our shelves. When a customer makes a purchase, they are treated like “Hawaiian royalty” by David, who blows a conch shell with a shout out to thank them. It makes for lots of laughter and applause.

From early in our journey, the Nokia Lumia Icon smartphone, and Nokia Lumia 2520 tablet played important roles. They allowed us to connect with, and stay on top of, correspondence with suppliers, manage our inventory, and source, as well as coordinate the procurement of important building materials. They were literally lifelines for us!

© Terri Nakamura Sweet! Nokia Lumia Icon and 2520

Verizon’s Nokia Lumia Icon smartphone and the Nokia Lumia 2520 tablet.

By storing important documents in the cloud, everyone with authority to share the files is able to access and update them using the 2520. The tablet is housed in a durable case with a built-in keyboard and touchpad—both beautifully designed for aesthetics and functionality. And it folds compactly for storage. And we often use the Icon to power the music in the store, or to take photos and videos of our visitors.

In addition to the Icon and 2520, we have Verizon cell-phone signal booster, and a Belkin HD Net Cam — essentials needed for staying connected.

© Terri Nakamura  Belkin Netcam HD for Alki Surf Shop Seattle

The awesome Belkin Netcam HD plus helps us monitor activity in the store, day and night.

The Belkin HD Net Cam offers amazing peace of mind. There are five sensitivity ranges for motion detection from “lowest” to “highest,” and depending on the setting chosen, we are sent alerts of movement in a given area, allowing us to immediately see and hear what is happening. There is also an option to store recorded video on a subscription cloud service. The night vision feature let’s us look in on the store at any time, which is amazing and cool.

Two other great add-on tools from Verizon include the Jawbone Era, a very small, light and comfortable headset, which makes it possible to talk, hands-free, while performing other work.

The second is the Jawbone Up Activity Tracker, which is basically a bracelet that monitors your movement. Since we began the process of building the store, it’s required so much in the way of physical exertion (demolition, stripping surfaces, scraping, speckling, sanding, painting, finishing, etc.), that I’ve lost 12 pounds! It’s been great to have the Jawbone Tracker as a positive reinforcer!

© Terri Nakamura  Jawbone ERA and Jawbone UP cropped

Terrific gadgets including the Jawbone UP and Jawbone ERA have enhanced the process.

It may take a village to raise a child, but it took Verizon to help our business get up and running. Thank you to @theonlinemom and #vzwbuzz for helping make our dream come true.


Follow us on Twitter: @alkisurfshop; Friend us on Facebook: https://www.facebook.com/alkisurfshop or visit us at the store in Seattle, located at 2622 Alki Avenue SW, Seattle, WA 98116 near 59th and Alki Avenue SW. (206) 403.1901.

© Terri Nakamura Dashboard hula girl Alki Surf Shop Seattle

One of three dashboard hula girls you can find at Alki Surf Shop in Seattle.

#MoreNorCal with Verizon in San Francisco

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 The inspiring view of the San Francisco Bay Bridge with Cupid’s Bow by Claes Oldenburg and Coosje van Bruggen in the foreground.

Last week I had an amazing opportunity to spend three days in San Francisco as part of a 30-member group invited to attend the Verizon Brand Influencer’s Summit. The weather was beautiful and we all stayed in the Hyatt on Embarcadero, so it was a bit like an adult-geek summer camp!

What is a brand influencer?

Brand influencers are people who engage audiences on behalf of a company, product or service. From my standpoint, my personal reputation is at stake, so whatever I say or do in regard to Verizon can be counted upon to be authentically my personal opinion.

I’ve been a Verizon customer for more than a decade, so I’m a long-time consumer and supporter of the company. People have asked (and assumed) I receive payment for my tweets, posts and tagged content, but Verizon doesn’t pay me anything. I’ve received phones and tech gadgets, and have never been given ultimatums such as, “You must write about this product and endorse it.” Ethically, I won’t say something good unless it is.

What happened at the summit?

So many great things happened during the summit. From the moment my first Uber driver picked me up at the Oakland airport and dropped me off at the Hyatt, I knew I was in store for something very special. Meeting many long-time virtual friends from social media was truly exciting. Having experts from Verizon, Microsoft and Nokia introduce to us new technology was mind bending. And learning about Verizon’s exemplary global citizenship initiatives made me feel proud. In case you aren’t aware, The Verizon Foundation focuses on energy management, education and health care. You can learn more about them by checking out this link: http://www.verizonfoundation.org. I was truly inspired and impressed by their work.

We also were allowed to tour Verizon’s “Solutions Zone,” where new products as well as products still in development were on display. It was a rare opportunity to explore Verizon’s inner sanctum, and especially to access technology that is not yet released to market. Cameras, networking equipment, robots and even a soft-drink refrigerator with an illuminated, transparent, animated glass door. The Verizon Solutions Zone is a tech wonderland.

Five favorite Verizon moments

1.
Meeting Monica Villa, Sara Hawkins and Ann Tran. I’ve been wanting to meet Ann for years, and found her to be a lovely person. She’s pretty, petite, and fun. Monica is VZWBuzz’s fearless leader. She makes everything happen, and is fun, smart and kindsome of my favorite qualities. Sara and I became acquainted through Twitter and Instagram. She’s as warm and genuine as I knew she would be!

There were six #BA75 (www.bitrebels.com/social/twitters-top-75-badass-women/) sisters in attendance. Beside Ann, Sara and me, there was Joyce Cherrier, Misty Belardo and Gina Stark. It rocked!

#BA75 women in attendance included L-R: Terri Nakamura, Misty Belardo, Joyce Cherrier, Ann Tran, Gina Stark and Sara Hawkins

#BA75 women in attendance included L-R: Terri Nakamura, Misty Belardo, Joyce Cherrier, Ann Tran, Gina Stark and Sara Hawkins

2.
Our first dinner together at La Mar was delicious and fun. La Mer is a popular Peruvian seafood restaurant, beautifully situated overlooking San Francisco’s waterfront. Before dinner, we had a chance to mingle and introduce ourselves. Gina Stark and Chris Rauschnot were to my right and left during dinner. Each course was more amazing than the one before it.

3.
The first full day at the Verizon Innovation Center was exciting. The space is modern and inviting and the event was perfectly organized, complete with a full agenda, name placards, microphones, and plenty of great food and drink

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Receiving a new Nokia Lumia 2520 tablet along with a KILLER case with built-in keyboard was a mind-blowing. I’m writing this blog post with it, as it comes loaded with the Office suite, including WORD! Beside a full keyboard, the case also has a built-in track pad. Compact and light, it’s a beautifully designed piece of technology, functioning very much the same as a laptop. Another bonus: a Nokia wireless charging plate for our Lumia Icons. It is absolutely fantastic!

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4.
The second day, just when we thought it couldn’t get better, Verizon gave us an “Up24” and “ERA” by Jawbone, and the Roadster 2 in-car Bluetooth speaker. I returned to Seattle with a bulging suitcase to a boatload of work, so some of the gadgets haven’t yet been used. But let me say I’ve really looking forward to trying them!

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5.
At the end of the second day, the group scattered. But I enjoyed some great hang time with Gina Stark in the Hyatt lobby, where we were later joined by Ann Tran, Chris Fleury and Calvin Lee. A terrific cap to this superb experience was being able to see my college roommate, Barbara Lloyd, who was able to rearrange her schedule so she could visit for an hour. Seeing her was the icing on my favorite red velvet cake!

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The Verizon Influencers Summit was a rare opportunity to view Verizon from the inside. I don’t imagine most people know how hard they work to integrate meaningful technology into the lives of their customers, employees, and the world at large. Learning about their public service initiatives painted a picture of how we wish all companies would behave. The gathering gifted us with the opportunity to solidify long-time connections and forge new ones. When the second Uber driver picked me up and we drove across the new Bay Bridge, I looked back at a very special experience. Thank you, Monica, for making it happen.


Visual scrapbook

Leaving Seattle © Terri Nakamura_WP_20140519

Checked my flight at Seattle Tacoma International Airport

In the plane © Terri Nakamura_WP_20140519

The plane was packed! I was so lucky because a woman I was chatting with had priority boarding (I was in the last group). She saved me a seat in the third row!

In my Uber Car © Terri Nakamura_WP_20140519

I can’t lie—I love Über. As we crossed the Bay Bridge into San Francisco, the driver pointed out the old bridge (to the left).

Welcome to the Hyatt © Terri Nakamura_WP_20140519

Finally arriving at the Hyatt on Embarcadero, I was greeted by a dapper doorman

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My room was on the 10th floor. Here is the view looking down into the lobby.

LaMar Menu © Terri Nakamura_WP_20140519

Dinner at La Mar was amazing! You can imagine a huge table of social media aficionados, all taking photos of the food with their Nokia Lumia Icons!

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Arriving at the Verizon Innovation Center after a brisk walk from the Hyatt.

VZW Summit first day © Terri Nakamura_WP_20140520

Getting settled before the presentations began.

Lumia2520 and more © Terri Nakamura_

Did we really receive new tablets?

Launching Lumia 2520 © Terri Nakamura_WP_20140520Excitement as we installed apps on our new Nokia Lumia 2520 tablets!

VZW Demo © Terri Nakamura_WP_20140520

The presenters were knowledgable and helpful, wanting to make sure they answered all of our questions.

Solutions-Zone-Terri-Nakamura-WP-20140521Video Camera © Terri Nakamura _WP_20140520

We saw a lot of cool new products in the Verizon Solutions Zone.

Leaving SF © Terri Nakamura_WP_20140521

Heading back across the bay to Oakland

Back In Seattle © Terri Nakamura_WP_20140521

Back to Seattle, greeted by traffic!

 

The Enduring Legacy of The Kingsmen—Part 1

At the time, they didn’t know it would change the music world, and their lives, forever.

Interviewing current and former Kingsmen members Dick Peterson, Steve Peterson and Barry Curtis, as well as Hollywood Walk of Fame DJ, Brien Bierne, wasn’t just fascinating—it was fun. They talked to me about The Kingsmen, “Louie Louie,” and how it all began more than 50 years ago.

Francis Ford Coppola once said art depends on luck and talent. For the legendary Kingsmen, it involved luck and talent, but timing as well. Dick Peterson, one of the band’s early drummers, is quick to admit The Kingsmen’s rocket to fame was the result of the perfect musical storm.

In the early 1960s, rockabilly stars from the 1950s were still churning out hits. But the early 1960s also ushered in new and eclectic sounds ranging from novelty songs to musical styles including folk, doo wop, rhythm and blues, surf and Motown. Of that time, Peterson, “The fan focus was shifting from individuals like Elvis, Fabian and Frankie Avalon to an era of bands.’”

As the musical scene was evolving, former disc jockey Brien Beirne, sees one event as a major catalyst. “In fall of ’63 when The Kingsmen came out with ‘Louie Louie,’ a very interesting thing happened that I think changed everything musically,” he reflects. “It was the death of President John F. Kennedy. Everybody was looking for an escape. It was such a horrific, devastating moment, and I believe it opened the door to lots of new sounds. The Kingsmen were part of the wave that represented escapism for the youth of the day.”

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Louie Louie 45 RPM © 2006 Richard Peterson

So, in April 1963, when five young guys in Portland, Oregon, recorded an audition tape to land a gig on a cruise ship, they were unprepared for what was about to come.

The Kingsmen’s version of “Louie Louie” was popular in the Portland area, where it enjoyed cross-pollination by local KISN AM rock DJ, Ken Chase. Chase also financed the $36 needed to produce the demo destined to become the iconic hit single, and hosted The Kingsmen as the house band in his teen nightclub, The Chase. Beirne, who was a teenager in the Portland area at the time, remembers it being such a hot ticket “that it didn’t matter how many pimples you had—if you could get a table for you and your date at The Chase, you were ‘golden’ for the evening.”

The band enjoyed success and played packed houses, but it wasn’t until Boston’s most popular DJ, Arnie Ginsburg, aired the song as “The Worst Record of the Week,” that “Louie Louie” experienced a meteoric surge in popularity. The reason? Unintelligible lyrics had teenagers imagining the words were laced with profanities and descriptions of sexual acts!

They didn’t realize the poor sound recording would be a critical factor in the song’s appeal, but several things came into play:

  • Jack Ely, the lead singer on the recording, had just had his braces adjusted and his mouth was in pain;
  • The sound engineer refused to move any of the microphones nearer to Ely, impacting the clarity of the lyrics; and
  • The band had not tightly rehearsed, which opened the door to spontaneity.

The ambiguous lyrics, the rough sound and energy, and the luck of having Ginsburg spin the song when he did was pure genius, but unplanned. Peterson laughs, “It was very fortunate. Without the controversy, I think The Kingsmen’s version of ‘Louie Louie’ would’ve died.”

To be continued…

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Terri Nakamura is a professional graphic designer who loves social media, music and writing.  Follow her on Twitter: @terrinakamura; Read her blog, Confessions of a Graphic Designer: http://seattledesigner.blogspot.com/ or find her connections: http://about.me/terrinakamura

© 2010-13 Terri Nakamura

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The Enduring Legacy of The Kingsmen—Part 2

“Louie Louie” — under investigation by the F.B.I.

Because of its unpolished sound and edgy rhythm and blues, the song already had huge appeal, but questions surrounding the song lyrics fueled its momentum. As the controversy grew, the song was banned on many radio stations, and prohibited entirely in the state of Indiana. Of course, this meant the song was destined to take off in a big way. A concerned parent wrote to then-Attorney General Robert Kennedy, complaining the lyrics were obscene, and eventually an official inquiry by the Federal Bureau of Investigation was launched. Was “Louie Louie” really corrupting the youth of the day?

J. Edgar Hoover, head of the FBI, said about the song, “[I] strongly believe that the easy accessibility of such material cannot help but divert the minds of young people into unhealthy channels and negate the wholesome training they have already been afforded by their parents.”

Take a moment to consider what’s on the radio today!

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Letter from the FBI Lab, WA DC. 1965. Printed through the Freedom of Information/Privacy Act, section 202-324-5520

The guys had no inkling of how big a deal it was.  Former keyboard player Barry Curtis remembers, “All I knew was, at one point we had two singles and three LPs on the Billboard Chart at the same time, and The Kingsmen were the number one live touring band in the country.” They were on the road constantly and insulated from the outside world. In fact, it wasn’t uncommon for them to be booked once, often twice, and sometimes even three times in a day, 330 days of the year. And think of how cool it was for a bunch of teens and early 20s guys from Portland, performing with The Beach Boys, The Zombies, The Dave Clark Five, and The Rolling Stones.

They were earning $4000 a night or $6,000 on double days, so even when considering their manager’s 15 percent; 10 percent for their agents, the prestigious William Morris Agency; and hotels and expenses, they were still making more money than any of them could’ve imagined. But it wasn’t like all of the money was ending up in their pockets. The guys drew salaries and were told the rest was “being put away for their retirement.” For context, during the mid-1960s, the minimum wage was $1.25; the average family income was less than $7,000 per year; and you could fill your gas tank for $5.00. They were having the times of their lives.

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“Jolly Green Giant” recording session, Audio Recording, Seattle—1964 Left to right: Jimmy-John, Lynn, Jerry Dennon, Mike, Karney Barton (engineer) © 2006 Richard Peterson

As their fame and popularity grew, so did the FBI investigation. The Federal agents attended every concert, monitoring the band. In spite of the constant surveillance, the guys weren’t concerned until there came a knock on the door in the middle of one night, with someone saying, “This is the FBI and we are going to talk.” That was when everyone realized, for the first time—they might actually be in some trouble.

To be continued…

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_________________________________________________________

Terri Nakamura is a professional graphic designer who loves social media, music and writing.  Follow her on Twitter: @terrinakamura; Read her blog, Confessions of a Graphic Designer: http://seattledesigner.blogspot.com/ or find her connections: http://about.me/terrinakamura

© 2010-13 Terri Nakamura

The Enduring Legacy of The Kingsmen—Part 3

“Louie Louie” — Unintelligible at “any speed”

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The Kingsmen lion logo © 2006 Richard Peterson

After 31 months, it ended in a Federal Communications Commission hearing. There were two possible outcomes.

The first was finding for the plaintiffs. If the song was ruled as obscene, there could be dire consequences for the band. The record would be banned and possibly The Kingsmen could be subjected to fines or worse. Finding for the plaintiffs could’ve also implicated the recording label for engaging in transporting obscene material across state lines.

Or, the judge could find for the defendants.

After listening to the song at every speed, the judge still couldn’t hear anything with certainty. Considering the lack of FBI evidence, and relying on his own ears, he ruled the song “unintelligible at any speed,” and lifted the ban.

The verdict was a triumph because “Louie Louie” began climbing the charts once again, with all rumors about the alleged raunchy lyrics intact. The guys capitalized on the situation under the guise of, “Hey, we got away with it!”

In the spring of 1964, The Kingsmen were touring with the likes of Dionne Warwick, Chad and Jeremy, Peter and Gordon, and famed DJ “Murray the K, aka ‘the Fifth Beatle’” (Murray Kaufman). They were on top of the world. And they were guests on popular shows including American Bandstand, Shindig, Hullabaloo and in the film, “How to Stuff a Wild Bikini,” starring the heartthrob of boys across the U.S., Annette Funicello.

When the British Invasion hit in 1964, its music shared the airwaves with American bands, and instead of being seen as competition, their music was appreciated by everyone, including The Kingsmen, who by then were like ambassadors of American rock. But when the ”psychedelic era” hit mid-decade, the new musical expression reflected a seismic shift in society and culture.

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Actual schedule hand-written by Murray Kaufman, posted backstage for Easter Extravaganza, March 1964 © 2006 Richard Peterson

The decade ended with Woodstock. By that time the guys recognized they weren’t “what’s happening,” and though their popularity waned, their music continued to influence other bands of the day, even laying the groundwork for the “garage band sound.”

Curtis muses, “It all starts somewhere. We were all influenced by other people. It wasn’t so much that we influenced established bands, but we influenced a lot of local bands. Young bands today—they just keep that whole thing going.”

To be continued…

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Terri Nakamura is a professional graphic designer who loves social media, music and writing.  Follow her on Twitter: @terrinakamura; Read her blog, Confessions of a Graphic Designer: http://seattledesigner.blogspot.com/ or find her connections: http://about.me/terrinakamura

© 2010-13 Terri Nakamura

 

The Enduring Legacy of The Kingsmen—Part 4

The Lawsuit That Forever Changed the Music Industry

Malcolm Gladwell talks about the “10,000-hour rule,” in his book, Outliers. It describes the volume of experience people accrue to reach a perfected level of expertise. When asked how much time the band spent honing its craft, Peterson thought back. “It wasn’t unusual to play 11 hours a day including performing, practicing and playing around while traveling from gig to gig.” This would mean nearly 20,000 hours over the course of five hard years on the road!

As years passed, band members began to wonder where the money that had been “put away” had gone, and why they weren’t receiving royalties for their songs that were being used and sold. So Peterson filed a lawsuit against the owners of the master recordings to regain ownership of their music. When he filed the suit, it was similar to when they recorded the demo of “Louie Louie”—it was much more important than anyone could have anticipated.

In April of 1998 the judgment in Peterson’s favor was granted. It was groundbreaking. And in November of 1998, the Supreme Court declined an appeal filed by the record companies.  At last, many acts were able to regain ownership of their own master recordings, and it forever changed the way record companies must treat talent.

The lawsuit was huge for the entire music industry. In 2002, also recognizing their mark on rock and roll, The Kingsmen received Lifetime Achievement Awards from The Grammys. Added to their three gold records and countless accolades, it was a great validation. When asked how he felt about Rolling Stone Magazine calling “Louie Louie” the fourth most influential recording of all time, Dick Peterson can’t help but agree, “It is incredibly great.”

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Photo: Current drummer Steve Peterson with Grammy award in his Seattle recording studio © 2010 Steve Peterson

The Kingsmen have been a working band for 52 years, and the guys still rock out every chance they get. Current drummer Steve Peterson (no relation to Dick) says as long as the members continue to breathe, their plan is to keep playing, because they believe there is room for what they do. They won’t attempt to change up their act with the music that’s currently popular, but they’ll continue playing their music, and new music with a ’60s flavor to it.

As for new Kingsmen music, Steve Peterson offers this recap: “There’s nothing in the works, but we’re all writing and producing music for other projects. Dick is working on a soundtrack for a movie; Dennis Mitchell  (younger brother of original and current band member, Mike Mitchell) is writing for The Dennis Mitchell Band; and Barry and I are writing songs for another Seattle band, The Daily Flash. “

And the future of The Kingsmen? “Many of the places we used to play are now using bands from the ’80s instead of the ’60s, so we’re playing less frequently,” says Steve Peterson. “I just hope we can keep playing as long as we can.”

Of those days, Brien Beirne sums it up nicely: “Rock and roll was young, and you should have been there.”

It’s unknown how many versions of “Louie Louie” have been recorded, but according to LouieLouie.net, it’s believed to be more than 1,500.

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Terri Nakamura is a professional graphic designer who loves social media, music and writing.  Follow her on Twitter: @terrinakamura; Read her blog, Confessions of a Graphic Designer: http://seattledesigner.blogspot.com/ or find her connections on xeeme:

© 2010-13 Terri Nakamura

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Memories of a DJ

ImageThird of an eight-part featuring the legendary rock group, The Kingsmen

Brian Beirne, “Mr. Rock ‘N Roll,” Reminisces

My dad took me to a radio station when I was 10, and I watched a guy spin the records, cue them up and talk about them. Elvis had just hit and was the rage of the day, and of course all of us kids wanted to pick up a guitar and be the next Elvis Presley. I played piano and guitar, but once I watched the guy in the studio, that was it.

I was a record collector from the time I was four. The magic words for me were, “Hey kid, see the records underneath the console? When we get done with them on the playlist, we get to take them home. And I thought “Wow, this is great. I’d get to play the records on the radio, talk about the artist, physically handle the records, and then I’d get FREE records!”

What’s interesting is, when my dad passed away several years ago, I opened the family trunk and saw my birth announcement. It was a baby holding a microphone. It was prophetic. Blew me away. I guess that was my calling. And I enjoyed every day I was on the radio in my 40+ years, and of course I got to meet great people along the way—got to have them on my radio shows wherever I was in the country—got to work with them, book them on shows, hang out with them and have fun. It was a fabulous career.

It was the “Golden Age of Rock,” and to a great degree, the second golden age of radio. We had freedom as disc jockeys. Today it is extremely controlled. You’re given a playlist. You’re told don’t talk over so many seconds, don’t do this, don’t do that. Back then, the personality of the DJ was really important. Now people seem very interchangeable. It was an exciting time to be on the radio. It really was.

When I got into radio, stations were owned by “moms and pops.” There were only a few major companies that owned radio stations, and there were restrictions—you could only own so many AM and FM stations, and so many television stations. I think there was a lot of freedom in the industry. Disc jockeys were stars. We were talent. We had a following like celebrities. It was exciting, too, because somebody would walk in the door that afternoon and say, “Hey, we’re The Kingsmen, and we have a brand-new record out, and do you want to give it a spin?”

I started in radio by accident when I was 13. I hung around the radio station from the time I was 10. Three days a week I’d take the bus there after school. I’d hang around and watch the guys, get them coffee, pull their records, and they would teach me the ropes.

One evening there was a live broadcast from the YWCA. Though I was shy, I’d go and hang around with the DJs. About a half hour into the broadcast, the jock said, “I’m sick. I’m going home. You take it.” And I said, “What do you mean, ‘me take it? I’m a 13-year-old kid!’” And he said, “You know how to run this!” So, the next thing I knew, I was on the radio. That lasted until my mother thought I actually was going to find girls down there at the radio station and put the kibosh on it. I went back into radio full time when I was about 17 and moved around the country to various cities. I was working in a major market by the time I was 21 and eventually settled in Los Angeles for 29 years at The Earth 101.

When The Kingsmen started to hit big I was 17. I remember when they recorded the live album at The Chase. I was on the air and the guys came by with a new record—they were always trying to crack me up, and I remember all of them, probably led by Mike Mitchell, when I opened the mike, they were in the production room across from me, all mooning me at the same time. In those days we had to read a five-minute newscast at the top of the hour, even Top-40 stations. I’d find myself reading the newscast and these guys are mooning me across the way to see if they could break me up. We had a lot of good times and I think that whole sound they produced at that time with “Money,” “Little Latin Lupe Lu,” “Jolly Green Giant,” were all really, as I said, not a polished sound, but it was exciting. It was new.

So many great memories and it all happened so fast, because right after that I started to do a lot of package shows that had five to 10 acts together. One day The Dave Clark Five are on your radio show, the next day it’s The Mamas and The Papas, then The Kingsmen drop by with a new record—it was kind of a whirlwind—the experiences and people I met during that period of time.

In terms of most amazing moment, there wasn’t a particular event, but more like the cumulative experience of being in that business at that point in time. Lots of exciting things happened. The Kingsmen were swell people and it was wonderful to be a part of their career at that time.

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Terri Nakamura is a professional graphic designer who loves social media, music and writing. Follow her on Twitter: @terrinakamura; Read her blog, Confessions of a Graphic Designer: http://seattledesigner.blogspot.com/ or find her connections on xeeme: http://xeeme.com/terrinakamura
© 2010-12 Terri Nakamura